低开高走，从第七集开始简直某种意义上的高能不断。

Body horror is the metaphor for visual pleasure. A critical reflection on where our species are heading if giving no limit to our exploitation of pleasure. However the film itself didn’t escape the fate of being part of the process, and me as the audience who already sat down, had no option of rejecting my role as the consumer of such content.

坚持风格化和自我表达的导演，疫情似乎把所有导演的表达欲都扑灭了，但查理考夫曼例外。他和大卫林奇差不多一路子，但比林奇更关注个人，钻得更深。这个片子真应了那句恶俗的网络语：初看不知片中意，看懂已是片中人。

看张译和张颂文还有一干老戏骨飙戏实在太过瘾了。

其实即使是这样的电影，也还是逃不出人类狭隘的眼光……