整体来说还是挺接地气的，以民警为主角的警察剧还是不多的，大部分都是刑警，所以还是蛮新鲜的。尤其是八里河，离我住的地方还挺近，所以有些亲切感。

深奥的简洁；Living on a wall where everything is so simple for 19 days. we were going to miss this experience. 这电影和和#有熊谷守在的地方#一脉相承异曲同工心意相通，一个极静，一个极动，一个方寸之间，一个缝隙之处，行行出状元，各行业最顶尖的心性都是艺术，最高的艺术境界意味着每个人只能以自己特有的方式全身心的投入：Focus and objective, breathe and practice, dream big and do small. Somebody less gracious than Tommy Cidwoll might have said, "I've got to go on without you". but he was committed to Kevin" we're doing this together" . And he wouldn't have been Tommy if he'd done it any other way. You have to do in your own way. you have to live in your own way. This is it, this makes you special.

三个故事最大的毛病共性就是拗不过来日式思路，在人物塑造剧情发展台词设置上已经成为严重桎梏，不客气地说是需要洗脑换血的程度。画面临摹太过，配音十分游离（程度1＞2＞3），李志属于路过。

某种程度上有种看香蕉鱼的心情……结尾交卷速度未免太离谱

宋朝的纪录片好少，一千年前东京城的繁华已经深埋在开封的地下，四集讲了四个主题，浅尝辄止，不够尽兴