斯皮堡致敬理想,查泽雷祭奠工业,反倒是门德斯,有种想表达movie is love的返璞归真,即电影和影院能为所有私人化的情感提供最宽广的出口。奥姨的表演和Deakins的摄影堪称一对王炸,但无重点和碎片化的叙事就有点太拖后腿了…
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感覺又看了遍失常 / 這種活著活著就不想活了的類型片一定會很快興盛起來 / 普萊蒙好像提喻法裡的霍夫曼/ Jake the Obscure/ 可能跟電影關係不大 抄anti-oedipus幾段話: “if desire is the lack of the real object, its very nature as a real entity depends upon an 'essence of lack' that produces the fantasized object” "there were a dreamed-of object behind every real object" "it's difficult for a child to