小哲和妈妈着实是最可怜的一对了。看完一声叹息之后，再闪回他们的年少时光，真是美丽又残忍。金东旭那种空洞与执着的眼神，实在是太到位了。整剧节奏也可以的。

深奥的简洁；Living on a wall where everything is so simple for 19 days. we were going to miss this experience. 这电影和和#有熊谷守在的地方#一脉相承异曲同工心意相通，一个极静，一个极动，一个方寸之间，一个缝隙之处，行行出状元，各行业最顶尖的心性都是艺术，最高的艺术境界意味着每个人只能以自己特有的方式全身心的投入：Focus and objective, breathe and practice, dream big and do small. Somebody less gracious than Tommy Cidwoll might have said, "I've got to go on without you". but he was committed to Kevin" we're doing this together" . And he wouldn't have been Tommy if he'd done it any other way. You have to do in your own way. you have to live in your own way. This is it, this makes you special.

朱一龙比起隔壁四字演的好很多，不光有造型和方言的加持，本身的身体姿态也都符合角色的状态。但是电影本身实在是没眼看，大量毫无意义的手摇镜头和全无节奏感的快速剪辑以及角色间要么火急火燎要么刻意煽情的对话让人烦躁。看到40min时已经耗尽耐心了，快进扫过剩下的桥段，充满了轻浮和瞎胡闹的综艺感。

哇，真喜欢这种不带脑子的烂俗喜剧，有一种被蛇咬到的感觉

一部心碎得可怕的电影，心碎凌驾在性向、语言、甚至爱情之上。最后还是多加了一星，我喜欢它的举重若轻。（所有觉得大叔不配心疼你们“孔雀”的fool女统统给我闭上你们的臭嘴哈