割舍不掉的亲情，感觉看到了以后独生子女赡养老人的窘境

编剧一定是个出身中产念文学或社科的70后左派白男。四口之家的小儿子最终靠划独木舟自我救赎，就跟一百年前查泰莱夫人靠她的情人来救赎一样。

Narrative is fluent and the performance of the two leading roles are good enough. Still the main issue is about the script. As a documentary movie, clearly it wasn’t realistic enough. When there’s a challenge comes to them, the audience wants to know the whole process of how they dealing with it in such a awful situation not a frame of days number.

好看，女主实在太可爱了加分，韩国人挺会维护自己的形象的，出其不意又自然

高高在上时，不食人间烟火时，以为没什么性别不公。落入凡间时，目睹女技师们摆在橱窗里如同商品被人挑选时，走在街头被男人吹口哨时，被恶心到反胃。在才华与人品这个话题上，电影提供了观点，与奥斯卡的“正确主义”站在了一队，社会声音比艺术本身更具促进意义。叙事过于寡淡，凯特女王四平八稳，不过确不比杨紫琼出彩。